By visiting our website or transacting with us, you agree to this. This exhibition places Polke’s enormous skepticism of all social, political, and artistic traditions against German history and the country’s transformation in the postwar period. Alibis: Sigmar Polke 1963-2010 is on view at MoMA … By visiting … Sigmar Polke. Sie besaß einen tieferen Grund – und der wird im MoMA immer wieder hervorgehoben. Bilder der Ausstellung im MoMa. Juni 2010 in Köln) war More information is also available about the film collection and the Circulating Film and Video Library. Polke experimented with a wide range of styles, subject matters and materials. Scenes of a Crime and Sigmar Polke’s Alibis, PopRally Presents Decoding Alibis, an Interactive Event Exploring Alibis: Sigmar Polke 1963–2010, Member Previews: Alibis: Sigmar Polke 1963–2010. 15. stars 5 out of 5 stars. Widely regarded as one of the most influential artists of the postwar generation, Polke possessed an irreverent wit that, coupled with his exceptional grasp of the properties of his materials, pushed him to experiment freely with the conventions of art and art history. This major survey of Sigmar Polke's vast body of work completed its threecity tour with a fitting last stop in Cologne, the artist's longtime studio base. By visiting our website or transacting with us, you agree to this. Please, The Donald B. and Catherine C. Marron Atrium, Kathy Halbreich with Mark Godfrey, Lanka Tattersall, and Magnus Schaefer, 2014, Exhibition catalogue, Hardcover, 320 pages, PopRally Presents Decoding Alibis, an Interactive Event Exploring. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. Fotograf; wird auch der Pop-Art zugeordnet!) 26th July 2014. Saturn 1990. In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. Sigmar Polke (* 13. By visiting our website or transacting with us, you agree to this. Among the many noted works on view are 13 films by Polke, including eight which have never before been available; a performance made for West German television that was last seen when it aired in 1972; and a group of monumental paintings made entirely of soot on glass that have never been exhibited in the United States. We use our own and third-party cookies to personalize your experience and the promotions you see. This record is a work in progress. “Alibis: Sigmar Polke 1963–2010” opened at the Museum of Modern Art, New York, on April 19 and remains on view through August 3, 2014. For access to motion picture film stills please contact the Film Study Center. Four gallery spaces on MoMA’s second floor are dedicated to the exhibition, which comprises more than 250 works and constitutes one of the largest exhibitions ever organized at the Museum. What emerges is a tapestry of voices whose variety and energy matches Polke himself. By Jerry Saltz. If you have additional information or spotted an error, please send feedback to [email protected]. In the 1970s, he concentrated on photography, returning to paint in the 1980s, when he produced abstract works created by chance through chemical reactions between paint and other products. The Museum acknowledges generous funding from the Mimi and Peter Haas Fund, Jerry I. Speyer and Katherine G. Farley, Marie-Josée and Henry Kravis, Anna Marie and Robert F. Shapiro, Sully Bonnelly and Robert R. Littman, and The Contemporary Arts Council of The Museum of Modern Art. Or motion picture footage from films in MoMA ’ s Frustratingly Near-Great Sigmar Polke ( 13 February –... 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