The filmmakers are not content with ordinary locations. First impressions of the anime might therefore give the impression that Metropolis is yet another run of the mill anime sci-fi, but nothing could be farther from the truth. "Metropolis" is not a simple-minded animated cartoon, but a surprisingly thoughtful and challenging adventure that looks into the nature of life and love, the role of workers, the rights (if any) of machines, the pain of a father's rejection, and the fascist zeal that lies behind Ziggurat. It is Rock's emotions that put Tima and Kenichi in constant danger throughout the movie. Rock, the adopted son of Duke Red, hates this plan and wants to destroy Tima. Just like in Metropolis, emotions control our choices, while intellect is both our never-ending curse and final hope. The Re-Creation of MetropolisOsamu Tezuka (1928-1989), Japan's "God of Comics" (Manga no Kamisama), is widely credited as the major creative influence on that nation's post-World War II comic book industry in the late 1940s and 1950s, and its animation industry in the late '50s and 1960s. If Metropolis for some reason passed you by, do yourself a favor: Prepare for a slightly cryptic narrative and cute characters, take the movie for what it is, and prepare to be amazed. The filmn is set in metropolis, a giant,industrial ,tri-level city where robots are commonplace. Lamarre interprets Tima's multiple origins, multiple identities and multiple histories as symptomatic of a globalized, postmodern society. As such, the visual magnificence of Lang’s Metropolis is very well maintained. On the surface it seems like a simple remake, but under the surface the anime is very different. In his essay ‘Fritz Lang’s Metropolis and the United States’, Michael Minden claims that the metropolis is representative of its creator Joh Fredersen; a fast moving step in a technologically primitive Europe, akin to the techno-industrial world of the US (Minden, M 2000, pp. ), (2006, Duke University Press, Durham and London, UK. Tatsumi argues that these Japanese Apaches reconstructed popular taste. It might require some concentration, but rest assured, Rintaro’s Metropolis is a true gem. Therefore, he tries to kill Duke Red's fascination with Tima, quite literally. The first scene is the start of a city riot, when a robot asks the insurgent leader: Robot: «Why must humanity settle matters by resorting to violence?», Insurgent: «Yes, we all know that. Both dialogues point to the unstable nature of human emotions. In a Zeerust future, an elderly Japanese detective and his young nephew arrive in Metropolis, the most advanced and wealthiest city in the world, on the trail of a wanted Mad Scientist and organ trafficker. There's something about vast futuristic cities that stirs me. Both anime also offer you a setting in which there are various classes of human beings having to adapt. Deep inside Ziggurat is a throne suspended in a hall filled with giant computer chips; it is intended for Tima, a humanoid in the image of Duke Red's dead daughter, built for him by the insane Dr. Lawton. For what is anime Metropolis, if not a re-appropriation and reconstruction of older media (Lang’s Metropolis) in the guise of new, digitalized, marvelous entertainment. 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