Edward Hopper’s paintings are often interpreted as depicting loneliness. https://fadmagazine.com/2021/01/13/what-to-make-of-john-kacere Moreover, the woman seems about to crush the flea between her thumbs, perhaps standing in for some other revenge she’d like to take. Abandon is characteristically caught, but also the almost-disturbingly green nails on long fingers, clunky watch and a purple flash of light which adds just the right colour note. More recent work is sized to the body’s reach and evidences the pouring, spilling and movement of its making. Perhaps, but any phallic pretensions to power are undermined by its material: too fragile to withstand much action. Here are four offerings across which I detected some sort of connection: Santiago de Paoli: First steps, 2019 at Galerie Jocelyn Wolff, Paris, London-based Argentine Santiago de Paoli makes oil on wood paintings of what may be ordinary things but are combined in ways which takes them in pretty weird directions. And all three involve time travel of a sort…, John Stezaker: Untitled 1983 (in solo show at Luxembourg + Co.). And why is the frontal figure wearing a see-through fish scale costume? These are brought together in Photoshop so that the sharpest parts of each make up the final image. Ste?phane Graff makes paintings on horizontal wooden strips that can slide and be repositioned in a manner which was inspired by a computer glitch – and which Graff plans on a computer before embarking on the laborious process of working on up to 150 such strips. Join Facebook to connect with Paul Carey and others you may know. The biggest of those (to 10 Jan 2021) currently surveys the last four decades of Jacqueline Poncelet’s near-50 year art career. May contain court, driving and other government records. 216.368.8845. This typical pastel of amorphous forms plays a nice little game with grouping through  what might be termed anti- pareidolia: my instinct was to read  the form of three figures into it, but yes there are ten separate elements. The key to this resin on plywood wall sculpture is the contrast between back and front colours viewable from the side as one moves around its complex intersections of geometry. That doesn’t destroy or copy any of the pixels, it simply rearranges them rather beautifully, so enabling the result to stand as a metaphor for re-ordering the established way of things. The surprising name in a very Japanese booth is as French as it sounds, but Chloé Jaffé lives in Tokyo and is sufficiently integrated to have worked in a hostess club and met a boss who agreed that she document the women associated with – they cannot be part of – the Yazuka organised crime syndicates. Paintings such as s. (2019) have been seen as evoking galaxies, explosions and orgasms. The New Art Centre in Wiltshire combines the ideal socially distanced art experience – sculpture in the landscape – with three indoor galleries. The oxygen feeds what has been variously described as their nine brains or their distributed brain: either way ‘a lot of stuff goes on in the eight arms – like chemo-tactile checking things out and deciding what to move towards – through local processes, without needing to send the message back.’ That resonates with the increasingly distributed approach taken in AI, which aims to solve reasoning, planning, learning and perception problems by distributing the problem to autonomous processing nodes, allowing bottom-up and top-down processes to occur simultaneously. Kelly (1923-2015) is the pre-eminent multi-panel colourfield painter, using separation and – sometimes, but not here – unusual shapes to give added substance to his colours. Join Facebook to connect with Paul Carey Rigging and others you may know puts my in! 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